In 1969 curator and critic Alan Solomon interviewed Craig Kauffman, Larry Bell, James Turrell, and Robert Irwin in conjunction with an exhibition he was organizing. These are the earliest in-depth interviews with each artist. Because of Solomon’s untimely death they have remained in his archives and are published here for the first time. The interviews provide a rare glimpse into the early careers of these seminal artists, documenting their critical, aesthetic and intellectual concerns at a pivotal moment, allowing readers new insight into an important era of American postwar art.

Alan Solomon (1920-1970) rose to prominence in the 1960s as a curator at the Jewish Museum in New York, where he organized a series of first solo exhibitions for the likes of Jasper Johns and Robert Rauschenberg. He also curated several major international surveys, including the 1964 Venice Biennale, where Rauschenberg won the Golden Lion. In 1968 Solomon left New York to take up a position at the fledgling University of California campus in Irvine, which was home to a dynamic group of young faculty and students. There he became acquainted with Kauffman, Bell, Turrell, and Irwin, who have since been recognized as canonical participants in California Light and Space art of the 1960s. With this volume his engagement with these artists, and their roles in this significant art historical episode, has finally been brought to light.

Matthew Simms is Professor of Art History at CSU Long Beach. He received his Ph.D. from Harvard in 1998. His publications include "Between Drawing and Painting: Cézanne's Watercolors" (Yale, 2008) and a monograph entitled "Robert Irwin: A Conditional Art" (Yale, 2016). He is also the editor of Irwin's writings, "Notes Toward a Conditional Art" (Getty, 2011).
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    Survey of emerging Czech artist Vojtěch Kovařík's surreal worlds populated by figures from classical Greek and Roman mythology.

    with contributions by Alex Bacon, Jeppe Ugelvig

    255 x 255 mm, 104 pgs.
  • p2

    Critical biography of pioneering pop and conceptual artist Billy Apple who established his career between London, New York, and New Zealand.

    165 × 242 mm, 400 pgs.
  • p1

    Comprehensive bilingual monograph on multifaceted Brazilian artist Solange Pessoa.

    with contributions by
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    Cecilia Fajardo-Hill
    Eduardo Jorge de Oliveira
    Liz Munsell

    200 × 255 mm, 432 pgs.